All posts by lmmenna

A call to adopt Balanced Literacy

An article in the New York Times caught my eye, it highlights New York schools chancellor Carmen Fariña’s proposal to adopt a balanced literacy approach in more New York City classrooms (link to article provided below). The article reports that, “during her almost six months as chancellor, Ms. Fariña, a veteran of the school system, has reduced the role of standardized tests, increased collaboration among schools and shepherded through a new contract for teachers that includes more training and more communication with parents. But her push for a revival of balanced literacy may have some of the most far-reaching implications in the classroom.” Proponents of the Common Core academic standards have however, voiced resistance to implementation of a balanced literacy approach, arguing that it is at odds with the learning goals emphasized in the core standards, which have been adopted by more than 40 states. What do you think are the pros and cons of a balanced literacy approach?

http://mobile.nytimes.com/2014/06/27/nyregion/new-york-schools-chancellor-carmen-farina-advocates-more-balanced-literacy.html

 

Maya Angelou’s Influence on Hip-Hop

Each year, Clare and I (Lydia) invite student teachers in the P/J and J/I literacy methods courses to explore the rich pedagogical possibilities available when poetry is included as an integral part of a literacy program. We consciously include the work of a variety of poets in an effort to provide student teachers with multiple entry points into the teaching of poetry. The recent passing of celebrated poet Maya Angelou brought to light once again the dynamic and influential nature of poetry. Angelou’s powerful poetry inspired a generation of Hip Hop artists who appreciated the beauty and complexity of her work. Upon hearing the news of her death, rapper-producer Q-Tip acknowledged the deep impact Angelou’s poetry had on him. In a twitter post he recalled trying to copy her voice during his early days with A Tribe Called Quest. He noted, “I tried to copy Maya’s fluid voice early on but failed miserably. But because of her I found my own… RIP Maya Angelou and thank u.”

Maya Angelou’s Legacy in Hip-Hop: www.slate.com/blogs/browbeat/2014/05/28/maya_angelou_s_legacy_in_hip_hop_poet_leaves_behind_a_history_of_appearances.html

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Love that Dog: A touching book and useful pedagogical resource

In both my experience teaching pre-service literacy courses and my current research with student teachers I (Lydia) have witnessed the sense of anxiety and discomfort many student teachers voice when they are faced with the prospect of teaching poetry during their practice teaching placements. Often, their associate teachers are themselves not comfortable with poetry and therefore, they have difficulty scaffolding the teaching of poetry or providing supportive resources for student teachers. This awareness has motivated Clare and I to delve into poetry within the first few weeks of the P/J and J/I literacy courses, in an effort to ease some of the initial anxiety student teachers experience in anticipation of teaching poetry. We attempt to provide multiple entry points into the teaching of poetry by presenting student teachers with various forms of poetry, and by highlighting the creative expression and emotive potential offered by this medium. We also provide them with a number of resources and pedagogical strategies they can utilize during their practice teaching placement. I recently picked up a copy of the book Love that Dog by Sharon Creech, which I hope to use in the literacy methods courses this year because the insight provided into how students might feel about reading and writing poetry is useful for both teachers and students. Throughout the book, the main character a young boy named Jack journals back and forth with his teacher Ms. Stretchberry, cleverly expressing his initial resist and eventual connection to poetry. Jack initially pronounces, “I don’t want to because boys don’t write poetry. Girls do”; however, through his ongoing dialogue with his teacher Jack experiments with word choice, sounds, and rhythm as he is engages with various poetic formats. My favorite entry in the book is “November 22.” Hopefully the student teachers in the literacy courses this year will enjoy this touching book as much as I did.lovethatdog

Reflecting on my time at the International Symposium for Digital Technology and Literacy/English Teacher Education

I (Lydia) feel fortunate to have had the opportunity to participate in the symposium last week as many of the issues raised resonated with my current research examining student teachers’ experiences with contemporary literacy teaching and learning. The issues highlighted during the individual presentations and accompanying discussions offered rich insights into the status of teacher educational internationally.

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I’d like to share a few of the questions raised during the symposium that remained with me and will continue to inform my research in literacy teacher education: What should a curriculum of contemporary teacher education include? In what ways can a curriculum of teacher education provide the space and quality time necessary for student teachers to truly engage as learners? How does power continue to operate in the curriculum? How do digital tools and social media spaces construct reading and writing? What do these digital spaces permit and what do they restrict? How is knowledge constructed, represented, and distributed within digital spaces? What are the pedagogical consequences as students engage with different modes within digital spaces? These are just a few of the questions I continue to consider upon my return from the symposium. Having the opportunity to consider the complexities and issues relevant to teacher education with international scholars was truly inspiring. I look forward to continuing our rich conversations.

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Kids React to…

The “Kids React” series featured on YouTube reminds us how rapidly the landscape of communication technologies has shifted in the last decade. As the kids are introduced to unfamiliar devices (e.g. Walkman; rotary phone) they respond with funny and interesting comments while they compare these “old” tools to the “new” technological tools they use daily (e.g. iPhone).

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Kids react to rotary phones

http://www.youtube.com/watch?v=XkuirEweZvM

Can a hashtag make a difference?

Recently, a Globe and Mail article questioned the impact of the Twitter campaign #BringBackOurGirls, designed to draw attention to the abduction of hundreds of Nigerian schoolgirls by an extremist group. The article noted that such online campaigns often ignite fierce, yet fleeting concern for a cause, which ultimately fails to provoke any “particular” action. Indeed, the article echoes the sentiments of others who have critiqued the merits of “digital advocacy.” For instance Malcolm Gladwell argued that online forms of activism such as “Facebook activism succeeds not by motivating people to make a real sacrifice but by motivating them to do the things that people do when they are not motivated enough to make a real sacrifice…which he suggested “makes it easier for activists to express themselves, and harder for that expression to have any impact.” Having participated in a variety of rallies over the years, I (Lydia) understand the momentum that can be mobilized and connections cemented when people collectively gather within physical spaces to champion social causes, matters of concern, and contentious political issues. I do, however, wonder if social media platforms provide an opportunity for us to broaden our conceptions of the creation of publics, public engagement, and relational encounters within social contexts. At the very least, such social media campaigns have demonstrated that they have the potential to draw attention to social issues, communicate information, and establish connections between affinity networks on a massive scale.

Link to the Globe & Mail article: m.theglobeandmail.com/news/world/abduction-of-nigerian-girls-draws-world-outrage-but-can-a-hashtag-offer-any-help/article18596825?service=mobile&cmpid=rss1&click=dlvr.it

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Sharing Our Research

Today the research group will be presenting work from the project Literacy Teacher Educators: Their Backgrounds, Visions and Practices, at the Ministry of Education/Faculties of Education Forum – Research Practice: Nurturing relationships for teaching, learning and well-being. It will be an interesting and exciting day.

Literacy Teacher Educators: Preparing Teachers for a Changing World (Book Cover)
Literacy Teacher Educators: Preparing Teachers for a Changing World

Reading Circles

Last week CBC news profiled the organization Literature for Life, which offers weekly Reading Circle programs to young mothers in various shelters and community centres across the Greater Toronto Area (GTA). The Literature for Life website explains that the program is committed to helping young moms in high-needs neighborhoods across the city “develop a practice of reading in order to access opportunities and achieve economic stability”. The moms participating in the Reading Circles meet weekly, along with a program facilitator, to engage in discussions and writing activities about books that are relevant to their lives. The program also hopes that participating moms will share their enthusiasm for reading with their children. To date, approximately “2,200 moms have participated in the Reading Circles and more than 20,000 books have been distributed” (http://www.literatureforlife.org).

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A Few Words From Oliver Jeffers

Clare and I (Lydia) have enjoyed sharing the creative and clever picture books of Oliver Jeffers with the student teachers in our literacy methods courses. Jeffers, an artist, illustrator and writer, notes, “my books are all about telling stories, and a lot of my art is about asking questions…They’re an excellent platform,” he says of picture books, “With novels, things are spelled out for you. And films, things are spelled out for you a lot more. Whereas picture books, it’s up to you how much you sit on a page, sit on an image, move at your own pace. And then you’ve got two distinct and varying sets of tools at your disposal, that weave in and out of each other to create this middle ground. That’s the secret ingredient, I think, that’s what makes them such a fantastic vehicle for storytelling.” (National Post Feb 2013). OliverJeffers