Category Archives: classroom teachers

Playing for Change

When I (Cathy) first came across Playing for Change, I imagined it was a group of buskers playing music for loose change.  But it wasn’t that kind of change they were playing for…

Playing For Change arose from a common belief that music has the power to connect people regardless of their differences. In 2005, a small group of film makers set out with a dream to create a film rooted in the music of the streets. Not only has that dream been realized, it has grown into a global sensation that has touched the lives of millions of people around the world

The most popular piece viewed on the net is a beautiful rendition of the classic hit ‘Sittin’ On The Dock Of The Bay. And it is lovely.  But my favourite is the Playing for Change video version of Stand By Me. This video includes: Roger Ridley, Santa Monica , California;  Grampa Elliot, New Orleans, Louisianna;  Claence Dekker, Amasterdam, Netherlands; Umlazi , South Africa; Twin Eagle Drum Group, Zuni New Mexico; and the Inamuva singing troup in Umliazi, South Africa singing “halanami”, which is “stand by me” in Zulu.

https://www.google.ca/webhp?sourceid=chrome-instant&rlz=1C1CHWA_enCA613CA614&ion=1&espv=2&ie=UTF-8#q=playig%20for%20change%20stand%20by%20me

This movement was picked up by a 10th Grade Music class at the American International School of Lusaka, Zambia. Below is a section from the school’s blog:

We came across the Playing For Change video, “Stand by Me”, as our 10th grade music class had been working to come up with project ideas. We were focused on working with some of our great local musicians here in Lusaka.

The students were so inspired by the video that wanted to come up with a way to make our own.  We chose to use the classic soul song “Express yourself” by Charles Wright.  Charles Wright was graciously allowed us to use his song.

We then got in contact with some of Lusaka’s best musicians from traditional groups to soul, gospel and jazz.  The musicians came to our school, gave clinics and each recorded a track for the song. The students sang, danced, played, interacted with and learned from these great musicians.

In the end we had a dozen audio and video tracks that we then mixed and edited to create the video.  We held a fundraiser concert with all of the musicians and performed “Express Yourself”.  It was a wonderful experience for all involved.  Thanks again to “Playing For Change” for all of your support and for being our inspiration!

This movement is a wonderful example of what creative minds, talents and technology can do to inspire hope and transformation around world.

https://vimeo.com/141721261

 

 

Anxiety And Depression In The Classroom: What Educators Can Do To Assist Students

I (Clare) have been involved in a number of discussions re: children and anxiety. I thought I would share with you this upcoming event. For those in the Toronto area you might consider attending.Image_CECflier

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Teaching with Technology- A Constant Challenge

 

 

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This cartoon reminded me (Cathy) of an incident from when I was teaching grade four.  The math problem for the day was:

A man went to bed at 11:00 p.m. and got up at 7:00 a.m. the next day.  How many hours did the man sleep?

One of my students just couldn’t figure it out it.  He usually didn’t have problems with mathematics, but he just couldn’t “see it”. In an effort to guide him, I told him to draw a clock and count the hours in between 11 and 7.

Sometime later I noticed he was sitting at his desk just staring at his notebook.  I walked over to see what he was staring at. This is what he had drawn:11

 

I guess my technology wasn’t matching up with his technology.  It’s a constant challenge!

Ode to Children’s Writers

I (Cathy) finished my third Kate Morton novel yesterday, The Forgotten Garden. Intriguing style. Here is the synopsis shared on http://www.austcrimefiction.org

When thirty-eight year old Cassandra Ryan discovers her grandmother Nell’s secret – that she was not the biological child of her parents, but a foundling – she is intrigued. Inside the suitcase found with the abandoned child at the Port of Brisbane in 1913 Cassandra finds a package of letters, a children’s storybook, and a coded manuscript belonging to Eliza Makepeace Rutherford: the Victorian authoress of dark fairy-tales who disappeared mysteriously in the early twentieth century. And so begins the quest to solve a century-old literary mystery.

I found the story line more interesting than some of Morton’s other books, partly because it was about a woman- Eliza Makpeace (Authoress)- who wrote fairy tale stories for children. The stories were included in the novel as chapters: The Cuckoo’s Flight, The Crone’s Eyes, and The Golden Egg. I particularly enjoyed the Crones Eyes. Deliciously dark!

As a collector and teller of traditional folk lore (I love the collections of Lang, Grimm and particularly, Jacobs), I found her stories strikingly similar to the old folk tales of Europe- frightening and heroic. People often died in those, not like in the Disney versions of today (e.g., in the original Andersen version of The Little Mermaid, the mermaid dies). As I was mulling this over, I happened to come across Morton’s acknowledgements:

I would also like to pay tribute here to authors who write for children. To discover early that behind the black marks on white pages lurk worlds of incomparable terror, joy, and excitement is one of life’s great gifts. I am enormously grateful to those authors who’s works fired my childhood imagination and inspired in me a love of books and reading that has been a constant companion. The Forgotten Garden is in part an ode to them.                                               Kate Morton

I was warmed by this acknowledgement. I think the stories of our youth live in us forever. If you enjoy traditional lore as much as I, I highly recommend reading The Forgotten Garden. For my part, I plan to write to Kate Morton’s publisher to obtain permission to tell them. They would make a delightful set at a festival and would hopefully fire the imaginations of the children (and adults) who listen.

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Second Wave Change

Every once and a while I check online to see if my favorite literacies scholar, Allan Luke, has presented something new I can learn from.

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Although not ‘new’, this time I happened upon a  short and poignant video called Second Wave Change.  It’s a succinct  explanation of  the kind of substantive content our students need to be discussing and thinking about to change our world.  This is a perfect video for student teachers.

So worth watching, but Allen Luke always is.

 

 

Professional Learning in Top Performing Systems, part 2

I (Clare) thought you might find this blog interesting about high performing schools. Not sure I agree with all of it but food for thought

internationalednews's avatarInternational Education News

PDinfographicv2The National Center on Education and the Economy’s (NCEE) Center on International Education Benchmarking has released two reports on professional learning environments in top performing systems: Beyond PD: Teacher Professional Learning in High-Performing Systems and Developing Shanghai’s TeachersTo explore and share the findings of these reports, the NCEE held a conference last week featuring presentations and panel conversations with the leading voices in education from around the world. This conference was also streamed live and can be viewed online. Moderated by Marc Tucker, president and CEO of NCEE, speakers included Ben Jensen (author of Beyond PD) and Minxuan Zhang (author of Developing Shanghai’s Teachers).

Ben Jensen began his presentation with the questions, “What is at the core of high performing professional learning systems? What is the strategy to ensure effectiveness?”

Jensen argued that we need to move past the idea that there is a single answer…

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You think you know what teachers do. Right? Wrong.

I (Clare) was sent this article from a friend and it truly captures the complexity of teaching and the misconceptions about teaching. All parent, politicians, and journalists should have to read it. A shout out to all teachers! Here is the link to the article from the Washington Post: https://www.washingtonpost.com/news/answer-sheet/wp/2014/02/22/you-think-you-know-what-teachers-do-right-wrong/

By Valerie Strauss February 22, 2014

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You went to school so you think you know what teachers do, right? You are wrong. Here’s a piece explaining all of this from Sarah Blaine, a mom, former teacher and full-time practicing attorney in New Jersey who writes at her parentingthecore blog, where this first appeared.

By Sarah Blaine

We all know what teachers do, right? After all, we were all students. Each one of us, each product of public education, we each sat through class after class for thirteen years. We encountered dozens of teachers. We had our kindergarten teachers and our first grade teachers and our fifth grade teachers and our gym teachers and our art teachers and our music teachers. We had our science teachers and our social studies teachers and our English teachers and our math teachers. If we were lucky, we might even have had our Latin teachers or our Spanish teachers or our physics teachers or our psychology teachers. Heck, I even had a seventh grade “Communications Skills” teacher. We had our guidance counselors and our principals and some of us had our special education teachers and our study hall monitors.

So we know teachers. We get teachers. We know what happens in classrooms, and we know what teachers do. We know which teachers are effective, we know which teachers left lasting impressions, we know which teachers changed our lives, and we know which teachers sucked.

We know. We know which teachers changed lives for the better. We know which teachers changed lives for the worse.

Teaching as a profession has no mystery. It has no mystique. It has no respect.

We were students, and therefore we know teachers. We denigrate teachers. We criticize teachers. We can do better than teachers. After all: We do. They teach.

We are wrong.

We need to honor teachers. We need to respect teachers. We need to listen to teachers. We need to stop reducing teachers to arbitrary measurements of student growth on so-called objective exams.

Most of all, we need to stop thinking that we know anything about teaching merely by virtue of having once been students.

We don’t know.

I spent a little over a year earning a master of arts in teaching degree. Then I spent two years teaching English Language Arts in a rural public high school. And I learned that my 13 years as a public school student, my 4 years as a college student at a highly selective college, and even a great deal of my year as a master’s degree student in the education school of a flagship public university hadn’t taught me how to manage a classroom, how to reach students, how to inspire a love of learning, how to teach. Eighteen years as a student (and a year of preschool before that), and I didn’t know anything about teaching. Only years of practicing my skills and honing my skills would have rendered me a true professional. An expert. Someone who knows about the business of inspiring children. Of reaching students. Of making a difference. Of teaching.

I didn’t stay. I copped out. I left. I went home to suburban New Jersey, and a year later I enrolled in law school.

I passed the bar. I began to practice law at a prestigious large law firm. Three years as a law student had no more prepared me for the practice of law than 18 years of experience as a student had previously prepared me to teach. But even in my first year as a practicing attorney, I earned five times what a first-year teacher made in the district where I’d taught.

I worked hard in my first year of practicing law. But I didn’t work five times harder than I’d worked in my first year of teaching. In fact, I didn’t work any harder. Maybe I worked a little less.

But I continued to practice. I continued to learn. Nine years after my law school graduation, I think I have some idea of how to litigate a case. But I am not a perfect lawyer. There is still more I could learn, more I could do, better legal instincts I could develop over time. I could hone my strategic sense. I could do better, be better. Learn more law. Learn more procedure. But law is a practice, law is a profession. Lawyers are expected to evolve over the course of their careers. Lawyers are given more responsibility as they earn it.

New teachers take on full responsibility the day they set foot in their first classrooms.

The people I encounter out in the world now respect me as a lawyer, as a professional, in part because the vast majority of them have absolutely no idea what I really do.

All of you former students who are not teachers and not lawyers, you have no more idea of what it is to teach than you do of what it is to practice law.

All of you former students: you did not design curricula, plan lessons, attend faculty meetings, assess papers, design rubrics, create exams, prepare report cards, and monitor attendance. You did not tutor students, review rough drafts, and create study questions. You did not assign homework. You did not write daily lesson objectives on the white board. You did not write poems of the week on the white board. You did not write homework on the white board. You did not learn to write legibly on the white board while simultaneously making sure that none of your students threw a chair out a window.

You did not design lessons that succeeded. You did not design lessons that failed.

You did not learn to keep your students quiet during lock down drills.

You did not learn that your 15-year-old students were pregnant from their answers to vocabulary quizzes. You did not learn how to teach functionally illiterate high school students to appreciate Shakespeare. You did not design lessons to teach students close reading skills by starting with the lyrics to pop songs. You did not miserably fail your honors level students at least in part because you had no books to give them. You did not struggle to teach your students how to develop a thesis for their essays, and bask in the joy of having taught a successful lesson, of having gotten through to them, even for five minutes. You did not struggle with trying to make SAT-level vocabulary relevant to students who did not have a single college in their county. You did not laugh — because you so desperately wanted to cry — when you read some of the absurdities on their final exams. You did not struggle to reach students who proudly announced that they only came to school so that their mom’s food stamps didn’t get reduced.

You did not spend all of New Years’ Day crying five years after you’d left the classroom because you reviewed The New York Times’ graphic of soldiers killed in Iraq and Afghanistan and learned that one of your very favorite students had been killed in Iraq two years before. And you didn’t know. Because you copped out and left. So you cried, helplessly, and the next day you returned to the practice of law.

You did not. And you don’t know. You observed. Maybe you learned. But you didn’t teach.

The problem with teaching as a profession is that every single adult citizen of this country thinks that they know what teachers do. And they don’t. So they prescribe solutions, and they develop public policy, and they editorialize, and they politicize. And they don’t listen to those who do know. Those who could teach. The teachers.

 

Parents versus Friends

In the Toronto Globe & Mail on January 15th I (Clive) read an interesting excerpt from a book by Leonard Sax called The Collapse of Parenting. According to Sax, young people are IMG_3128increasingly looking to friends for support rather than their parents; and the problem with that is whereas parents tend to stick by their children through thick and thin, many young people just drop their friends after a dispute or perceived minor infraction. As a result, children are becoming more vulnerable and anxious (a phenomenon others have noticed).

I think teachers should discuss this set of issues with their students as part of ongoing way of life education (and also introduce them to children’s books or young adult novels that deal with friendship, family life, etc.). Why do young people turn to friends rather than parents? Are they taking this too far? Do they realize the dangers (whatever they are)? Are friends less supportive than family? Support from friends often comes at a price (loyalty, obedience, etc.), but does family support also have a price? Should we go to friends for some things and parents for others? These are tricky questions, but I think exploring issues in a safe environment is always better than leaving young people to grapple with them on their own. And we will learn a lot through the discussions too!

 

Promoting creativity in teacher education

I (Yiola) have been building in how to embed creativity in classroom practice in my Teacher Education course for a number of years. This year I invited Lina Pugsley, a graduate of the Creativity and Change Leadership Program and Masters of Science in Creativity student from SUNY Buffalo  State,  to share with us what creativity means and how to teach creatively and teach for creativity through weaving creativity skills into our classroom lessons.

Our class consisted of information sharing about what creativity is and its complexity. I appreciated that we took time to unpack some of the misconceptions (a major one being creativity equals the visual arts) and to solidify some of its characteristics (creativity is problem solving, its innovation, its incubation, its idea generating, its colourful, etc.)

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Lina presented us with a number of models and frameworks to think about ways of thinking about, teaching, and embedding creativity into our classroom practice.

Several great resources were shared and a number or creativity scholars introduced. From E. Paul Torrance to Ronald Beghetto, we were inspired!

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Once the theoretical and conceptual foundations were laid students in the class began to think more practically about what skills and strategies nurture creativity. This video set our curiosity in motion:

And, in creative fashion students explored, talked about and shared ways of bringing creativity skills into their teaching and lessons. We examined E. Paul Torrance’s 18 thinking skills from his book “Making the Creative Leap Beyond”

Some of the skills:
Be Original
Be Open
Visualize it Rich and Colourfully
Combine and Synthesize
Look at it Another Way
Produce and Consider Many Alternatives
Playfulness and Humour
Highlight the Essence
Make it Swing! Make it Ring!
Be Aware of Emotions
Be Flexible

 

The energy in the room was high. Students were interested and engaged.  They were encouraged to consider their personal teaching philosophy and to make creative thinking a priority in their teaching. It was an  inspiring experience. This particular teacher education course looks at methods in education. We explore planning, the learning environment, pedagogies and practices. Creativity, now in the 21st century, is a skill that students must acquire. It is not an innate skill that some are born with while others are not. Everyone has the capacity to develop their creativity skills and as teachers we need to learn how to create classrooms that foster, encourage, and celebrate creative thinking.in I believe the MA students gained a solid sense of what this is about.

For more information on Lina’s focus and work check out here website at:

http://www.keepingcreativityalive.com